The Harvard Advocate is proud to announce the upcoming launch of the POSSESSION issue. In anticipation of the issue’s imminent arrival, features board members Indiana Seresin ’15, Faye Zhang ’17, Caleb Lewis ’17, and Lily Scherlis ’18, sat down with outgoing president Julian Lucas ’15, for a discussion centering on their nonfiction contributions to the magazine, and the many avatars of possession analyzed therein. Below find an abridged transcript of the first of this two-part conversation, in which Seresin’s “A Love Letter to My Stepmom,” and Scherlis’ “Their Party,” are considered. In part two, the group will discuss Lewis’ “When the Mammy Sphinx Gawks Back at You!” and Zhang’s, “Full Circle: (Exotic) Odysseys Through (Oriental) Rainforests on (Outlawed) Tour Buses.” Continue reading
Rote Kapelle (Pour) #3, 2012, unique silver gelatin print on fiber-based paper, 147 x 101 cm
Where artists come from is oftentimes inseparable from who they are. It is perhaps because art-making is necessarily a deeply personal practice; understanding an artist’s body of work in its entirety requires that we put him in the context of history, in relation to the city that he lived and worked, the people that he conversed with, and the works of art from which he drew inspiration. Naturally it’s difficult to pin down the factors that transformed artists as who they are now. The cliché that each human being brings a universe of his own resonates profoundly with artists. But if art-making is a personal pursuit in the end, where one has to carve his own path for creativity, what does it mean to study art in an institutional setting? Can art be taught?
From Hollywood with Love
Disney’s Frozen is one of the greatest success stories of modern dubbing. Available in 41 languages, it’s enjoyed stratospheric international success. Thanks to the team at Disney Character Voices International Inc., children from Malaysia to Norway can hear the musical comedy in their own language and sing along with Princesses Elsa and Anna on their grand hypothermic adventure. Continue reading
On January 31, in two short afternoon hours, a group of students created a work of art. Continue reading
I sometimes tell people that at school I am a de facto vegetarian. Continue reading
It might be said that a party reaches its critical mass when the rate of increase of the volume of guests surpasses the rate of decrease of the volume of refreshments. On one snowless December night, the moment arrived, fairytale-like, just before midnight. The last spoonful of salsa scooped, my coat buttoned, the hostess thanked, my exit was only halted by the call of one or two (gender-neutral) princes—“We have to discuss Serial!” Continue reading